Alas! and did my Savior bleed
And did my Sovereign die?
Would He devote that sacred head
For sinners such as I?
[originally, For such a worm as I?]

Refrain

At the cross, at the cross where I first saw the light,
And the burden of my heart rolled away,
It was there by faith I received my sight,
And now I am happy all the day!

Thy body slain, sweet Jesus, Thine—
And bathed in its own blood—
While the firm mark of wrath divine,
His Soul in anguish stood.

Was it for crimes that I had done
He groaned upon the tree?
Amazing pity! grace unknown!
And love beyond degree!

Well might the sun in darkness hide
And shut his glories in,
When Christ, the mighty Maker died,
For man the creature’s sin.

Thus might I hide my blushing face
While His dear cross appears,
Dissolve my heart in thankfulness,
And melt my eyes to tears.

But drops of grief can ne’er repay
The debt of love I owe:
Here, Lord, I give my self away
’Tis all that I can do.

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Issac Watts [1707]

From his birth his father would read the Word of God to him and pray for him. His father was a godly preacher and a Nonconformist to the Church of England. His father was sent to prison twice because of his convictions. His family were Dissenters or Non- conformists. The Dissenters were Protestants who did not think that the Church of England had separated enough from the doctrines of the Roman Catholics and refused to conform to the Church of England.

Isaac was born in 1674 and was the oldest of nine children. At the age of eleven his father addressed a letter to all of his children encouraging them to “frequently to read the Scriptures – get your hearts to delight in them – above all books and writings account the Bible the best and read it most – lay up the truth of it in your hearts”.

Isaac Watts was saved at the age of fifteen and by the age of sixteen he had mastered Latin, Greek, Hebrew and French. When Isaac was about twenty he became dissatisfied with the singing of the Nonconformist Congregation. At that time it was viewed as sinful to sing songs that were not taken from the Scriptures the majority of which were Psalms or metrical Psalters. His major complaint was the quality of the writing, his father challenged him if he did not like what was being sung to do something better. Over the next two years, from the age of Twenty until he was Twenty two, he wrote the majority of his hymns. He was greatly criticized by both the Roman Catholics and the nonconformist who called his hymns “uninspired” because they were not direct quotations from Scripture. His reply to this was “…if we can pray to God in sentences that we have made up ourselves (instead of confining ourselves to the Our Father and other prayers taken directly from the Scriptures), then surely we can sing to God in sentences that we have made up ourselves”.

Isaac Watts wrote Alas and Did My Saviour Bleed in 1707, it originally had six stanzas and no refrain. The original tune as intended by Isaac Watts is not known, but in 1800 Hugh Wilson began using his original music composition entitled Martyrdom. In 1885 Ralph F. Hudson added the refrain and the tune that we know use and know as “At The Cross”.

It is interesting to note before we explore the doctrinal content of Alas and Did My Saviour Bleed, the in the Fall of 1850 at the age of thirty, Fanny J. Crosby went to the altar at the Thirtieth Street Methodist Church in New York City. She had been to the altar twice before by had not received the peace she sought. While at the altar the congregation was singing the hymn “Alas and Did My Saviour Bleed”, according to her own testimony and in her own words she says:
“…it seemed to me that the light must indeed come then or never; and so I arose and went to the altar alone. After a prayer was offered, they began to sing the grand old consecration hymn, ‘Alas, and did my Saviour bleed, And did my Sovereign die?’ And when they reached the third line of the fourth stanza, ‘Here Lord, I give myself away,’ my very soul was flooded with a celestial light. I sprang to my feet, shouting ‘hallelujah,’ and then for the first time I realized that I had been trying to hold the world in one hand and the Lord in the other.”

Isaac Watts was a brilliant young man and because of his intellectual acumen and proclivity to study he was encouraged by his friends and a prominent Southampton physician to go to one of the Universities, at their expense, in hopes that he would eventually be ordained into the Church of England. Because of his background and being raised as a Dissenting Nonconformist, he refused and rather chose a nonconformist academy. He started preaching at the age of twenty-four and pastored his became pastor of a well-know independent congregation in 1702, he died on November 25, 1748.

The doctrinal content of “Alas and Did My Saviour Bleed” could be examined from a plethora of Christian Theology, Justification, Propitiation, Christology, Anthropology, Harmitiology, Soteriology just to name a few, for all of these are contained within the lines of this hymn. We will however, briefly explore the doctrine of propitiation as found in the lines of “Alas and Did My Saviour Bleed”.

http://churchchoirmusic.com/the-story-behind-the-song-alas-and-did-my-savior-bleed

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1 Corinthians 1:18

 For the preaching of the cross is to them that perish foolishness; but unto us which are saved it is the power of God.